Harper Lee's Pulitzer-Prize winning novel, To Kill a Mockingbird, now celebrating the fiftieth anniversary of its publication,
was brought to the screen in an Academy Award-winning adaptation by
Horton Foote in 1962 and was later adapted for the stage by Christopher
Sergel. Though over 35 years old, this stage adaptation continues to
compel and delight viewers worldwide with its warmth, wit, and wisdom. "To Kill a Mockingbird" that is emotionally rich and well-acted, while
remaining very simple and understated. Of course, the story itself is
simple.
Audiences find themselves transported to a sleepy Southern town in the
1930s and discover that the issues of that time—prejudice, racism, and
human values—are issues of all time. Witness this classic tale unfold and its colorful characters develop as
fifteen actors and a crew of seven bring you a compelling performance
of To Kill a Mockingbird.
The simpleness of the story is part of its impact, though, as it is
told mostly through the eyes of a child -- Scout Finch , a tomboyish girl living in segregated Alabama in 1935. Her
dad, Atticus, is a lawyer defending a black man charged
with the rape of a white woman -- a crime he clearly did not commit. The racial tensions involved polarize the town, but not to a huge
degree -- again, this is through the eyes of a child.
The show still has impact in its finale, though, sneaking up on you
with emotion you weren't expecting, what with the near-levity that
prevails prior to it. It's a strong show for a theater that seems to
get better with each production.